Fyne Audio Cubitt 5: Two-minute review
It’s taken Fyne Audio less than a decade to establish itself as a deeply credible manufacturer of passive loudspeakers at a wide range of prices. The Cubitt 5, though, represents its first pair of active speakers — and they’ve got some serious competition to overcome. At first glance, though, the system seems to have every chance. Its compact, well-made cabinets are available in a wide range of finishes, and are home to an intriguing driver array that draws liberally from the company’s very successful (and much more expensive) line-up of passive loudspeakers. Power is more than adequate at 240 watts, and the range of inputs (Bluetooth with aptX HD capability, line- and MM phono-level analog, optical and HDMI ARC) is very competitive, too. The lack of on-system controls is an odd decision, as is the lack confirmation of selected input or volume, and the remote handset that’s your only control option is unlovely. Get the system up and running and you’ll have to ignore the unwelcome low-volume hiss that comes from each speaker before any music is cued up — fortunately it’s not an issue once your tracks are playing. Instead you’re free to admire the Cubitt 5’s abilities with detail retrieval, soundstaging, low-frequency authority and articulate midrange communication. It’s absolutely as confident as is acceptable when it comes to handling the top of the frequency range, but even here it’s not overtly ill-balanced or unruly. Add in significant dynamic headroom, an expansive overall presentation and a disinclination to alter its stance in any significant way no matter which of its input options is in use, and it’s apparent that where the fundamentals are concerned, the Cubitt 5 has plenty going for it. Maybe not quite for the best stereo speakers on the market, though. (Image credit: Future / Simon Lucas) Fyne Audio Cubitt 5 review: Price & release date
Launched on June 30, 2026
Priced $749 / £549 / AU$1,499
The Fyne Audio Cubitt 5 wireless stereo speaker system is on sale now, and in the United States it costs $749. In the United Kingdom it sells for £549, while in Australia you’ll have to part with AU$1,499. Fyne Audio Cubitt 5 review: Features
127mm ‘IsoFlare’ mid/bass driver with 19mm concentric titanium dome tweeter
240 watts of Class D power
Wired and wireless inputs
The idea of positioning a tweeter in the acoustic center of a mid or mid/bass driver is not a new one, but it’s a rarity nevertheless, and Fyne Audio has been busily democratizing its ‘IsoFlare’ variation on this particular theme for a while now. The Cubitt 5 is just the latest example. In this instance there’s a 19mm titanium dome tweeter positioned in the center of a 127mm multi-fiber mid/bass driver — the idea, as ever, is to create a single point-source of sound at the same time as optimizing driver integration and sound dispersion. The mid/bass driver’s surround is the company’s ‘FyneFlute’ design, the unusual pattern of which helps minimize unwanted energy from the pistonic movement of the driver. Each of the four drivers gets 60 watts of Class D amplification to power it — an all-in total of 240 watts really should be adequate in a system such as this — and the output is bolstered by a front-firing bass reflex slot. It’s an arrangement Fyne Audio suggests will deliver a frequency response of 43Hz – 34kHz. The primary speaker takes care of all wired and wireless connectivity. The wireless stuff consists of Bluetooth 5. 0, with codec compatibility up to and including aptX HD. Physical connections, all on the rear panel, run to a moving magnet (or high-output moving coil) phono stage accessed via stereo RCA inputs, a line-level analog equivalent also using RCAs, a digital optical input and an HDMI ARC socket. All incoming digital information is dealt with by a DAC of 24bit/96kHz resolution. Features score: 5 / 5
(Image credit: Future / Simon Lucas) Fyne Audio Cubitt 5 review: Sound quality
Expansive and controlled presentation
Solid punch and decent dynamics
Audible hiss when not playing
There’s a unique aspect to the way the Fyne Audio Cubitt 5 performs — or, at least, it’s unique in my extensive experience of products of this type. Connect the speakers together using the supplied umbilical, plug the primary speaker into the mains, turn the power on, and there’s an obvious and consistent hiss from both speakers. Is it loud? No, but it can be heard down the length of my listening room. Is it audible when playing music? No, not at all. So is it an issue? I guess not, unless you intend to use the speakers on your desktop, but I can’t pretend it fills me with confidence. Which is a great pity, because when it’s actually playing music the Cubitt 5 is one of the best sub-$750 wireless stereo speaker systems I’ve heard so far. In virtually every respect, it’s an enjoyable, balanced and well-sorted listen. With a vinyl copy of Julian Cope’s Peggy Suicide incoming via the moving magnet phono stage, the Fyne Audio doesn’t take its eye off the ball for a moment. It’s good where detail retrieval is concerned, and manages to stay on top of the finest details without sacrificing any sense of unity or performance. It creates a fairly large soundstage — it’s certainly larger than the cabinets that are producing it — and it’s coherent, organized and easy to understand. The tonal balance is persuasive, too, the Cubitt 5 hits the plosives at the top of the frequency range absolutely as hard as it dares, but somehow they never quite get too edgy or overly hard. The midrange is sweetly communicative, so there’s confidence and eloquence to the way the system handles a vocalist. And while the claims for extension down to 43Hz are, I think it’s fair to say, a false alarm, the Cubitt 5 nevertheless bigs deep, hits hard and controls its low-frequency activity well. Rhythmic expression is very decent as a result, and the way the system handles tempos is similarly unforced and naturalistic. There’s a fair amount of dynamic headroom available, so the Fyne Audio handles big shifts in volume or intensity calmly, and its overall attention to detail means that the more subtle dynamics of harmonic variation are given their due weighting, too. Frequency response is nice and even, too. The tendency to attack the highest frequencies can make it sound like the top end is being overstated on occasion, but otherwise the Cubitt 5 gives every area of the frequency range fair representation. It’s winningly unconcerned about volume, too. Some systems can change their character when asked to play at bigger levels, but the Fyne Audio just gets louder…
